Margret Mead and Virginia
Woolf
Mead’s book Sex and
Temperament in Three Primitive Societies became a major cornerstone of the
feminist movement, because it claimed that females are dominant in the Tchambuli,
or Chambri Lake region of the Sepik basin of Papua New Guinea The lack of male
dominance may have been the resulted in the Australian administration's
outlawing of warfare. According to contemporary research, males are dominant
throughout Melanesia, although some believe that female witches have special
powers. Others have argued that there is still much cultural variation
throughout Melanesia, and especially in the large island of New Guinea. Anthropologists
often overlook the significance of networks of political influence among
females. The formal male-dominated institutions typical of some areas of high
population density were not, for example, present in the same way in Oksapmin,
West Sepik Province, a more sparsely populated area. Cultural patterns there
were different from, say, Mt. Hagen. They were closer to those described by
Mead. Mead stated that the Arapesh people, also in the Sepik, were pacifists,
although she noted that they do on occasion engage in warfare. Her observations
about the sharing of garden plots amongst the Arapesh, the egalitarian emphasis
in child rearing, and her documentation of predominantly peaceful relations
among relatives are very different.
Virginia Woolf's peculiarities as a fiction writer have
tended to obscure her central strength: Woolf is arguably the major lyrical
novelist in the English language. Her novels are highly experimental: a
narrative, frequently uneventful and commonplace, is refracted—and sometimes
almost dissolved—in the characters receptive consciousness. Intense lyricism
and stylistic virtuosity fuse to create a world overabundant with auditory and
visual impressions. The intensity of Virginia Woolf's poetic vision elevates
the ordinary, sometimes banal settings—often wartime environments—of most of
her novels. For example, Mrs Dalloway (1925) centres on the efforts of Clarissa
Dalloway, a middle-aged society woman, to organise a party, even as her life is
paralleled with that of Septimus Warren Smith, a working-class veteran who has
returned from the First World War bearing deep psychological scars.
No comments:
Post a Comment